Naxilandia in the 17th

Naxilandia is a semi-fictional inquiry into the elective, empowered, and social nature of subsistence agriculture and its potential of resistance in the face of nation building. 

On the occasion of the 17th Congress of the People’s Republic of China in 2007, 30 years into the process of “reform and opening up,” President Hu Jintao pledged to extend agricultural modernization to the nation’s peripheries, including the indigenous highlands. Recorded over six months in rural Yunnan Province, this multi-channel video installation traces the contradictions created as subsistence life encounters enclosure. 
Four channel video, 70 minutes. 

Subsistence farming on the hills above the Yangtze River in Wumu

The Earth Will Not Abide
The Earth Will Not Abide has been conceived as a research process, gallery installation and public forum, with specific relevance for both North and South America and China.
The research process draws on multiple disciplines to connect local experiences with global-scale transformations.  The results are presented through written analysis, audiovisual documentation and focused interviews, but also through aesthetic experimentation. The research is ongoing and invites fresh input from farmers, academics, technical specialists and public intellectuals.
The gallery exhibition comprises a core of tightly articulated artworks, which can be expanded through the inclusion of local artists or the addition of new works by members of the initial group. The aim is to provide an immersive experience that incites curiosity and unleashes the imagination.
The public forum invites artists, ecologists, farmers, and activists to address the effects of extractive agriculture,  the politics of conservation and sustainability, and the grassroots aspiration to land sovereignty. Under the title This Land/That Land: Discussions About Political Ecology and Place, the public forum explores both traditional and emerging alternatives to the industrial food system.

Pickles in translation: Autopoiesis and vibration

From Lijiang Studio INDEX, a series of events in NYC, September 2015

earthenware replicas of Yunnan Style Pickle Jars with vegetables, bacteria, fungi and text

Much of the research katalog (duskin drum and Sarah Lewison) did at Lijiang Studio involved observation, translation or appropriation of traditional subsistence technologies.

Salt fermentation is the dirty-delicious- point in the spectrum of fungal-human commensality.

Crystal Pascuci on cello
The colonies that characterize fermentation begin with logarithmic expansion, leading to a plateau and decline.

Autopoiesis and vibration. 
Bacterial symphonies.

Perhaps tiny, sovereign civilizations? 
Autonomous zones? 

Ferment Recipe from Zhou Qiao's dad

Discursive Seed Bombs in "At the Headwaters," Gary Indiana

Discursive Seed Bombs, an installation of language, seeds and agents-of-fertility (mud, mycelia, medicines), for the art exhibition "At the Headwaters", Gary Indiana, Nov 6-22. 

On November 15, poems and texts will be spoken out loud in an aleatorypublic reading and seed bomb making workshop. Seeds will be cobbled together with mycelia, soil and cut-up texts, and turned into seed bombs to be scattered along the Calumet watershed, to (maybe) generate new lives.
A copy of all contributions will be archived with event documentation. Contributors will receive an image.
Send poems via email to, subject line Seed Bomb, before November 10.
Or by post by Nov 10 to:
Seed Bomb,
Attn: Meg Roman
P.O. Box 2405
Gary, IN 46403
Include your street mailing address if you prefer a printed documentation (as opposed to a digital image.)

Discursive Seed Bombs

Discursive Seed Bombs- a workshop within "At the Headwaters," an exhibition about the Calumet River at Miller Beach Art Gallery, Gary, Indiana. For we invite poets and wanna be poets to share something they have written with the river and its banks by sending their words out with the seeds. WE will ask for writers to submit work and share in our concrete/ cobb/cobbed/cobbled readings and throwings..

Group readings will be composed from sliced (shredded) poems, mixed with seed growing instructions (from shredded seed packets), medicine ingestion warnings, and slivers of text.

Photos from Discursive Seed Bombs in NYC, City Bird Gallery, September 28, 2015, as part of Lijiang Studio INDEX.

melt with us. about not being individuals

melt with us

An essay by duskin drum and me for the Journal of Aesthetics and Protest Issue #9.
We have also reprinted as a color pamphlet.
If you want a copy, write me at sacamixta at gmail dot com

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