The Earth Will not Abide at Gallery 400

On the occasion of the 17th Congress of the People’s Republic of China in 2007, 30 years into the process of “reform and opening up,” President Hu Jintao pledged to extend agricultural modernization to the nation’s peripheries, including the indigenous highlands. Naxilandia is Sarah Lewison’s semi-fictional inquiry into the elective, empowered, and social nature of subsistence agriculture and its potential of resistance in the face of nation building. Recorded over six months in rural Yunnan Province, this multi-channel video installation traces the contradictions created as subsistence life encounters enclosure. 

Pickles in translation: Autopoiesis and vibration

From Lijiang Studio INDEX, a series of events in NYC, September 2015

earthenware replicas of Yunnan Style Pickle Jars with vegetables, bacteria, fungi and text

Much of the research katalog (duskin drum and Sarah Lewison) did at Lijiang Studio involved observation, translation or appropriation of traditional subsistence technologies.

Salt fermentation is the dirty-delicious- point in the spectrum of fungal-human commensality.


Crystal Pascuci on cello
The colonies that characterize fermentation begin with logarithmic expansion, leading to a plateau and decline.


Autopoiesis and vibration. 
Bacterial symphonies.







Perhaps tiny, sovereign civilizations? 
Autonomous zones? 

Ferment Recipe from Zhou Qiao's dad

Discursive Seed Bombs in "At the Headwaters," Gary Indiana

Discursive Seed Bombs, an installation of language, seeds and agents-of-fertility (mud, mycelia, medicines), for the art exhibition "At the Headwaters", Gary Indiana, Nov 6-22. 


On November 15, poems and texts will be spoken out loud in an aleatorypublic reading and seed bomb making workshop. Seeds will be cobbled together with mycelia, soil and cut-up texts, and turned into seed bombs to be scattered along the Calumet watershed, to (maybe) generate new lives.
A copy of all contributions will be archived with event documentation. Contributors will receive an image.
Send poems via email to sacamixta@gmail.com, subject line Seed Bomb, before November 10.
Or by post by Nov 10 to:
Seed Bomb,
Attn: Meg Roman
P.O. Box 2405
Gary, IN 46403
Include your street mailing address if you prefer a printed documentation (as opposed to a digital image.)

Discursive Seed Bombs


Discursive Seed Bombs- a workshop within "At the Headwaters," an exhibition about the Calumet River at Miller Beach Art Gallery, Gary, Indiana. For we invite poets and wanna be poets to share something they have written with the river and its banks by sending their words out with the seeds. WE will ask for writers to submit work and share in our concrete/ cobb/cobbed/cobbled readings and throwings..

Group readings will be composed from sliced (shredded) poems, mixed with seed growing instructions (from shredded seed packets), medicine ingestion warnings, and slivers of text.

Photos from Discursive Seed Bombs in NYC, City Bird Gallery, September 28, 2015, as part of Lijiang Studio INDEX.

melt with us. about not being individuals

melt with us

An essay by duskin drum and me for the Journal of Aesthetics and Protest Issue #9.
We have also reprinted as a color pamphlet.
If you want a copy, write me at sacamixta at gmail dot com



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